Take a look at efficiency clips and interviews with stars nominated for this yr’s Academy Award for Greatest Supporting Actor


Take a look at clips and interviews beneath with the 5 nominees for this yr’s Academy Award for Greatest Supporting Actor.

Winners of this yr’s Oscars might be introduced on Sunday, February 9, on the Dolby Theatre at Hollywood & Highland Heart in Hollywood.

Tom Hanks, “A Lovely Day within the Neighborhood”

Fred Rogers, an ordained minister and puppeteer, grew to become an iconic fixture of the American tv panorama as host of “Mister Rogers’ Neighborhood” on public tv, which ran for greater than three many years. “A Lovely Day within the Neighborhood” tells of a journalist (performed by Matthew Rhys) assigned to interview the kids’s TV star, and the way his personal life is modified by his encounters with Rogers, forcing him to mirror on issues of household duty, forgiveness and acceptance.

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Hanks, a two-time Oscar-winner (for “Philadelphia” and “Forrest Gump”), instructed “CBS This Morning” co-host Gayle King that, whereas he has performed a number of real-life figures all through his profession, it was difficult to play Fred Rogers as a result of he was “a really, very public persona. And everyone has an concept of what Fred is, what Fred was like, the mysteries behind Fred. [The moment I said yes], I started to have the evening sweats …

“The fear that goes together with it’s that … you need to land in a spot that individuals acknowledge as true human habits, whether or not you are taking part in someone who’s actual or someone who’s not,” he mentioned. “And if it is not genuine, you are actively mendacity in an artwork kind that’s speculated to be holding the mirror as much as nature.”

Anthony Hopkins, “The Two Popes”

As Pope Benedict XVI says to Cardinal Jorge Bergoglio, of Argentina (the person he seeks to exchange him within the papacy), “You realize, there is a saying that God corrects one pope by presenting the world with one other pope.  I might wish to see my correction.” Benedict’s choice in 2013 to retire, moderately than stay in his place till his demise, shocked the world, and shook the Catholic Church. What’s extra, it opened the door for a conservative pope to ask a extra liberal (and, within the eyes of some church elders, extra incendiary) chief, at a time when the Church was struggling scandals that will lead many to query, if not their religion in God, then their religion in God’s disciples. 

Along with being a quiet meditation on the hand-off of energy in one of many world’s most longstanding establishments, Fernando Meirelles’ two-hander, that includes Greatest Supporting Actor nominee Anthony Hopkins as Benedict and Greatest Actor Oscar-nominee Jonathan Pryce as Bergoglio, is a considerate depiction of a friendship between two unlikely companions, whose backgrounds, political ideologies and aspirations could not be extra dissimilar, however who however discovered widespread floor, constructed on music, pizza, soccer, and religion.

On this scene Benedict debates with Bergoglio about his resignation: 

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Hopkins, 82, instructed “Sunday Morning” correspondent Tracy Smith that he approached the function with a deeper appreciation of religion accrued after overcoming alcoholism. “I was, for instance, a non-believer. Nothing improper with that; I did not consider in something. Besides I used to be in a number of psychological and emotional ache, consuming an excessive amount of and all that stuff.” However 44 years in the past, a chat about God with somebody from AA exercised one thing extra than simply willpower for him to realize sobriety. Was it divine intervention? “It is a very, properly, it is a loaded phrase. Yeah, I believe it was,” Hopkins mentioned.

Anthony Hopkins and Jonathan Pryce on “The Tw…


Al Pacino, “The Irishman”

As Teamsters president Jimmy Hoffa, a charismatic union chief who grew to become an impediment for bold mobsters desirous to siphon from the union’s pension funds, Al Pacino brings a bountiful provide of charisma, invective and delight to his colourful efficiency. The movie chronicles his friendship with mob hitman Frank Sheeran (Robert De Niro), and Sheeran’s tragic betrayal of Hoffa.

On this scene with fellow nominee Joe Pesci (as Philadelphia crime boss Russell Bufalino), Hoffa stands his floor in opposition to the mob’s insistence that he forgo operating for union president once more – a place that can have fateful penalties:

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Requested by “Sunday Morning” correspondent Lee Cowan what he hopes audiences would take away from Scorsese’s story of reckoning, Pacino (an Oscar-winner for “Scent of a Lady”) replied, “Folks really feel one thing. One thing comes off it that’s virtually kind of ephemeral. It is arduous to say what it’s, however you are feeling it. It is affecting in that sense. And you do not even know why.”

“The Irishman”: Scorsese, Pacino and De Niro …


Joe Pesci, “The Irishman”

The character of Philadelphia mobster Russell Bufalino is much from the hot-headed Tommy DeVito in “Goodfellas,” for which Joe Pesci received an Academy Award. His Bufalino is a relaxing affect, a sleek elder to whom deference is given (and envelopes of money delivered), and a wizened, instructive mentor to Robert De Niro’s hitman Frank Sheeran, which makes his undisputed instructions to kill – in mob code, in fact – all of the extra chilling.

Pesci has been lacking from screens for too lengthy, and in “The Irishman” his restraint and virtually grandfatherly means of meting out favors, or revenge, is the purpose upon which all the opposite characters’ relationships pivot.

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Brad Pitt, “As soon as Upon A Time… In Hollywood”

In Quentin Tarantino’s vivid recreation of the altering film and TV trade within the 1960s (and a revisionist historical past of the Manson Household murders), Brad Pitt stars as Cliff Sales space, the stunt double and all-around right-hand man of fading TV and film star Rick Dalton (Leonardo DiCaprio). Sales space’s years within the trade could have made him jaded, however they haven’t dulled his friendship with the person in whose shadow he walks.

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Pitt instructed Esquire journal, “[W]e all grew up with the lore of the lead actor and his stuntman. That relationship and craft. I imply, there are epic tales of those duos: Burt Reynolds had Hal Needham. Steve McQueen had Bud Ekins. Kurt Russell had his man. Harrison Ford had his. These guys have been companions for many years. And it is one thing that’s not the identical in our technology, because the items grew to become extra movable.”

This marks Pitt’s fourth appearing Oscar nomination (after “Twelve Monkeys,” “The Curious Case of Benjamin Button” and “Moneyball”). He has already received the Display screen Actors Guild and Golden Globe for his efficiency. 

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